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In Memory of Elizabeth Reed off of the Eat a Peach Deluxe CD from the June 27, 1971 closing of the Fillmore opens up deliciously smooth and elegant. The band just slides into a relaxed tempo and it’s the most refreshing version of this number I have heard. Here the band is taking its time. The intensity slowly builds like true love making ought to be through this excursion.

The lead work is original and in the moment. The drums splash beautifully in the background as Dickey drives his vision forward with the band having his back all the way. After you play so long together you have a true sense where your band mate is going and you are allowed to listen and get there with them. You can really hear this in Berry’s playing and the drums, oh the drums gently sitting in the mix right where they should be never over powering but well heard. The rhythm section has the anchor and counterpoint in complete subtle sympathetic syncopation.

Gregg jumps in with short chord runs sharply leading the band. The clarity of the mix is perfect with the organ fully heard out front and it chimes and grooves and swaggers righteously. It sounds beautiful, fresh and inventive….then his brother steps up….

Biting, sharp, relentless guitar attacks funk out before sailing off and then returning to a blistering foray all the while Butch, Jaimoe Gregg and Berry keep the tempo locked down as we drift off into a meditative frame punctuated by mid tone arpeggios as the band sways easily like spanish moss….and then the gibsons get vicious, biblical with fierce clean attacks and not overwrought then settling down again for more delicious mid tone punctuations the entire band right there as the drum sticks come forward just a bit then everyone builds together catching fire once more in a tenacious drive while the overall groove stays calm and cool….(how the fuck do you play the guitar like that) fantastic as they perpetuate the drive forward abruptly to the drums briefly and then back to the closing and locking it back down as they close the door on their creation. Holy shit what’s behind that door they just opened and what kind of force, power and vision did they tap into in that graveyard? It’s a thing of monstrous beauty whatever it is and strongly rendered. This is a sublime ferocious and beautiful version of a seminal tune.

In Memory of Elizabeth Reed deserves its own spot in the Smithsonian and for that reason I’m singling it out here. We all know the tune there must be thousands of renditions but this one reads all the passages in such a refreshing calm inventive and fierce manner. The nuanced beginning followed by the expansive meditative dynamic giving way to the fiery crescendos and the thundering close. It’s a standout version at once both mellow and intense with a deep deep groove. Upon hearing it again after so many years with fresh ears it is all too clear while some of us have the good fortune to be totally obsessed by this band and their music…

Eat a Peach – the Deluxe Edition with the second disc devoted to the closing of the Fillmore in June is a freakin’ tour de force. Scorching through the stratosphere Hot Lanta is just fantastic. The mix is stellar and I’ve been listening to it on crappy car and desk top speakers as well as my treasured Polks. Berry is clearly heard and of course the tone of the guitars is so vintage, biting, just the right amount of fuzz not overwhelming to distort the true tone of the notes just scorching. The twin drums are settled in so nicely and everything is heard with the Hammond B-3 building slowly to a crescendo and then punctuating the soul groove.

The way the band and Berry jump out on Whipping Post is serious. Whether it’s my imagination or not it sure sounds up tempo to me. Berry is more than ready to bring it and it feels like he catches the band by surprise as he furiously launches into the opening… so great to hear and it’s a pace that doesn’t let up…. as the boys just go with it – oh my the little touches on the guitar twin attack. I have to stop myself right now or I’ll spend the next twenty minutes celebrating every note, turn, phrase, sound and riff just beautifully rendered together. I mean the tone of that band and tighter than tight. Gregg’s vocals are heard beautifully just right above the mix.

When they slow it down you can hear that B-3 just stalking the band the chords sustaining like wind through your hair. Their gentle segues arrive tear inducing as they reach for the heavens follow. If you don’t get a lump in your throat you don’t know how to listen to music.

Get Eat a Peach back out and it will seduce you with its magic so passionately. I’m so happy that it was captured in real time for all time just a blistering messianic journey to the soul of creation.

It’s mind boggling how a band can sound this excellent, the drive and the power, the determination. Music wasn’t a distraction it was a mission.

Stand Back I’m laser locked on that tune the way it jumps out and grabs you with that riff. The Allman Brothers knew what they were doing and the lyrics “a dagger in my back while she’s calling me honey” just fantastic. Look a lot has been written about the jazz influence on the ABB – granted – and it’s all good and true but don’t forget the funk. They can authentically bring that swing and swagger just funkin, funktastic. Funkified freaks every funkin where they funkin can the ABB throw that groove at a very righteous magnitude with Berry and Butch as far into the pocket with Gregg grinding the soul foundation and Jaimoe painting over the top.

“Hey have you seen my copy of Eat a Peach” wait I can hear it blaring upstairs in my sisters room. As I open the door Amy and her friends are moving to Les Brers as if their lives depended on it – “just don’t scratch it” as the door slams back in my face.

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I randomly stumbled upon this book online and it looked intriguing. Little did I know that it was more than just a curious cover...a wonderful picture of nature and a nice mindset of our place within it. I recommend the hell out of it!" -- Jonny Bear
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When I first started reading Journey Home I couldn’t put it down! Each person and situation became vivid in my mind. I could feel the book. It became one with me and the sounds ... here on Big River. The unexpected twists and turns, continued to peak my interest, and the first night I read till I could see no more. Then, as I awoke I read till I was done. A book of this quality is an Amazing Gift for all to read and Understand!!!! -- Dusty

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